TLA Classes

We offer online classes to help you deepen your understanding of Transformative Language Arts, explore the craft of various genres and arts related to TLA, and develop your livelihood, community work, and service related to TLA.

Designed and taught by leading teachers, transformative language artists and activists, and master facilitators (want to be one of them?), these classes offer you ample opportunities to grow your art of words, your business and service, and your conversation with your life work.

The online nature of the classes allows you to participate from anywhere in the world (provided you have internet access) at any time of the day while, and at the same time, the intimate and welcoming atmosphere of the classes helps students find community, inspiration, and greater purpose.

While each class is unique to the teacher's style, all classes include hands-on activities (writing, storytelling, theater, spoken word, visual arts, music and/or other prompts), plus great resources, readings, and guidance. We use the online educational platform, Moodle. Currently we offer two class formats:

  • Community Online Classes have a set period of time, ranging from four to six weeks with a small cohort of five to 15 people. Every Wednesday a new weekly module opens for you to engage with on your own time, with forums and opportunities to share, interact, and receive feedback from peers and the teacher. If the teacher wants to schedule a live meeting, they will coordinate directly with enrolled participants. Classes remain open and available to enrolled participants for at least a month after the class end date.
  • Self-Paced Online Classes have no set period of time and no cohort. All modules are available upon enrollment for you to engage with on your own time. Each self-paced class includes one forum to share, interact, and give/receive feedback from peers.

Enrollment Cost

Classes are priced by the number of weeks they run, and member's get a $20 discount. Early Bird rates end two weeks before the class start date, and registration increases by $40 thereafter.

NOTE: When there is a sale, the class page only displays the non-member discounted price. If you are a member, it will show the member discount once you start the registration process.

Cancellation & Refund Policy

Cancellations: A nonrefundable fee of 10% is included in each registration. No cancellations after the class begins. In the case of extenuating circumstances, please contact us.

Low Enrollment Cancellations: Classes that do not meet a minimum enrollment may be canceled a minimum of 3 days prior to the first class meeting with full refunds for all registrants.

Incomplete: Students seeking certification in TLA Foundations who cannot complete a class due to extenuating circumstances may be granted a discounted registration on the next available offering of that class. To be eligible for the discount students must communicate their circumstance to the teacher as soon as possible.

Self-Paced Online Classes

Community Online Classes

    • 04 Sep 2019
    • 15 Oct 2019
    • Online
    • 17
    Register

    Our current economic, political, and social systems are serving fewer and fewer people, not to mention destroying the environment.

    I don’t know what a future society will look like, but if it is to meet our human needs better than our current society does, I believe it needs to be formed with certain values in mind.

    Fortunately, these values can be taught, not just through stories, songs, dances, and poems about the values, but also through the very processes of telling or creating stories, singing or creating songs, and so on. In other words, our artistic processes themselves can give people experiences that open them to values that are necessary for an improved society.

    In this 6-week course, I'll briefly lay out a theory of how values can be influenced, as well as the eight values I’ve chosen as “values of a future society.” I’ll introduce the values one at a time and give examples of processes from storytelling that support each value. Then I’ll help you identify and/or create processes that can give others experiences of each value, from your particular type of transformational language work.

    Key to this course is inspiring each other to notice the transformative power of the creative processes. Together, we’ll engage in building an enlarging web of activities that can help people align themselves with currents that, I believe, will help move us toward a more just, supportive, and enlightened society.

    Week by Week

    Prework: Before the first lesson, I'll ask you to describe briefly the type of transformative language arts work you do (or are interested in doing), so that we can begin to notice the diverse strengths among us.

    Week 1

    What are we doing here? The difficulties of thinking about a future society. Eight values to help guide the path.

    The three ways it’s possible to influence someone else’s values. Influencing via content versus influencing via process: the advantages and disadvantages of each. Which processes are you familiar with in your own area of practice? Which processes are you drawn to learn more about?

    In Lessons 2 through 5, I’ll explain how the processes of storytelling can promote each of the two values introduced in the lesson. Then I'll guide us through an example process for each value. Finally, I’ll help you identify, adapt, and/or create processes from your work than can give your audience or students an implicit experience of the values.

    Week 2

    Value #1, "The Power of Listening”

    Value #2, “A Predisposition To Compassion,” as opposed to our cultural predisposition to evaluation.

    Week 3

    Value #3, “The Importance of Relationships.” How our society systematically discourages us from being truly close to each other and distracts us from the pursuit of connection.

    Value #4, “The Efficacy of Openness.” How openness and authenticity make everything else go better.

    Week 4

    Value #5, “The Preciousness of Every Human Point of View.” Each human has a unique and valuable perspective and set of experiences.

    Value #6, “The Universality of Human Potential.” All humans are capable of learning all human subjects. The destructive fallacy of “talent,” fostered by a society dependent on profit.

    Week 5

    Value #7, “The Whole Mind: Conceptual Thinking Plus Image Thinking.” Since the Enlightenment, our view of thinking has been too narrow; it’s time to broaden it.

    Value #8, “Emotion’s Dual Role in Thinking.” Emotion is required for thinking, but, at the same time, unhealed emotional hurt can distort our thinking.

    Week 6

    Summing up the relationships we’ve explored between processes and values. Are there patterns that emerge from the processes that all the course members identified for each of the eight values?

    How can what we’ve done here be carried forward? What does all this teach us about transformative language arts as a field?

    Who Should Take This Class

    Storytellers, fiction writers, narrative poets, songwriters, improvisational singers, dramatists, etc. - all who use language to help people imagine or convey their experience - especially those interested in teaching their art or discipline with an eye toward promoting generative values.

    The course will be most helpful to those with enough experience in their work to have already developed some processes for doing and/or teaching their art/discipline. I define transformative language arts broadly. If you think your work might belong here, it likely does!

    Format

    This is an online class. Each week, a new week will open full of resources, reflections, discussion questions, and writing prompts. Students should expect to spend 3-5 hours per week perusing resources and readings, answering a discussion question, engaging in several writing prompts, and responding to peers’ work. A gentle but clear process allows each participant to work at her/his own pace.

    The instructor will also host a live webinar call each week, at a time based on the schedules of the enrolled students. You will be able to attend the calls via computer or via telephone. All calls, including the visuals, will be recorded; the recordings will be available for any class member who needs to miss any of the calls.

    About the Teacher

    In 1970, Doug Lipman was a struggling teacher of troubled adolescents. He had given up connecting with them when one day, by accident, he found himelf telling them a story. They responded! Ever since, he has pursued the transformative power of storytelling.

    Over the decades, Doug has coached hundreds of people on their storytelling, writing, and recordings. He is the author of three books on storytelling (Improving Your Storytelling, The Storytelling Coach, and Storytelling Games), scores of published articles, and over 150 issues of his own email newsletters, including "eTips from the Storytelling Coach (http://StorytellingNewsletters.com).

    A professional storyteller since 1976, Doug has performed and led workshops on three continents and led many online courses and webinars. His ongoing search for effective ways to teach the transformative power of storytelling has led to projects such as a new paradigm for coaching storytellers, an exploration of the seldom-noticed Hidden Storytelling Skills, and the pursuit of ways that storytelling and related arts can allow our true humanity to blossom.

    • 04 Sep 2019
    • 15 Oct 2019
    • Online
    • 17
    Register

    From ancient times to modern day, creative writing has been used for a way to explore and navigate political and social issues. In this workshop we will use a variety of readings, videos, and podcasts to investigate and discuss the role creative writing has played, and continues to play, during political times. Writing from various time periods and of many different viewpoints may be presented. However, rather than focusing on the ways our political views may separate us, we will instead use these writings to explore both the history of social and political creative writing, as well as the role it can have in creating change and developing empathy. Each week we will also focus on one or two tips or techniques for effective writing in a given genre.

    Genres we will explore include poetry and spoken word, epistles, manifestos, and blogs and creative essays. Authors we will look to include: Saul Williams, Andrea Gibson, Kofi Dadzie, Sonya Renee Taylor, Nelson Mandela, Lenoard Peltier, Paul the Apostle, Adrienne Rich, Mary Wollstonecraft, Tarfia Faizullah, Audre Lorde, and Terese Mailhot, as well as a number of others.

    We will also engage in our own creative practices using weekly prompts. We will use writing to explore our own views and tell our truths. By the end of the class, students will have developed a body of creative writing in multiple genres that they can build upon. Students also will have learned a variety of tips and techniques for effective communication of their views and opinions through creative writing. 

    Week by Week

    Each week will include several readings/videos/podcasts, as well as creative writing pieces, online discussions, and at least three creative prompts to choose from.

    Week One ​will begin with an overview of how creative writing has been, and can be, used in political times both as a way of expressing ones’ views and as a tool for change. We will investigate the idea of ‘literary activism’ and what that may look like in our own writing practices.

    Week Two will explore political poetry, both written and spoken word. We will look at the ways that poetry has been used for social change, and will write our own poetry.

    Week Three looks at epistles. We will read a number of letters from prison, and explore the impact these have had. We will also discuss the power of letters to politicians and the ways social media has impacted this form of activism. We will write our own epistles.

    Week Four will explore using blogs and personal essays as a platform for social change. In addition to discussing how to effectively write and promote these forms of writing, we will also read a number of blog posts and essays, and write our own about issues close to our hearts.

    Week Five will focus on manifestos, to include what makes up a manifesto, effective ways for writing one, and how they have been used historically and currently. We will write our own manifestos as a way to tell our truths and call others to action.

    Week Six​ will be an opportunity to reflect on the prior weeks, discuss the ways we hope to ‘be the change’ through our writing, and plan for how to continue this work going forward.

    Format

    This is an online class. Participants should expect to spend around three to four hours per week on this class doing the readings, engaging in discussions and responding to peers’ work, and working on creative work. If you have specific accessibility needs please contact the facilitator.

    Who Should Take This Class

    This class is ideal for anyone wanting to better understand our current times through the lens of creative writing, people who are frustrated with the current political climate, anyone who would like to get more in touch with themselves or the world around them, and those wishing to expand their creative practices or learn/practice various types of creative writing. All levels of writers are encouraged to take this class, as well as those with diverse political backgrounds.

    About the Teacher

    Angie Ebba is a queer, disabled poet and essayist, an educator, and a performance artist. She has taught writing workshops and performed across the United States. Angie is published in the “Queering Sexual Violence” anthology, several literary magazines, and various online health publications including Healthline and Folk. She teaches poetry in Portland, Oregon as well as online, and as in the beginning stages of writing a memoir. Angie believes strongly in the power of words to help us gain a better understanding of ourselves, to build connections and community, and to make personal and social change. You can find more about Angie at her website: rebelonpage.com

    • 23 Oct 2019
    • 03 Dec 2019
    • Online
    • 15
    Register

    Want to immerse yourself into poetry you may already love or will get to fall in love while also generating a lot of new poems of your own? This six-week class leads you on a journey through sparkling poetry from many contemporary and and some more ancient poets from across America and around the world, including Rumi, Mary Oliver, Adrienne Rich, Sharon Olds, Tomas Transtromer, Seamus Heaney, Wislawa Szymborska, William Stafford, Pattiann Rogers, Rainer-Maria Rilke, Tess Gallagher, Audre Lorde, Jane Hirshfield, Simon Ortiz, and Gregory Orr. 

    Each week features two or three of the poets, including a sampling of their poetry, links to articles and interviews, and a summary about what their work offers us as readers and writers. Additionally, each week highlights a discussion on the craft of writing poetry, writing tips, and lots of writing prompts to help you open doors to new poems. We come together to share our poetry, responses to one another's poetry, and sparks for new ways to consider the poetic power of language. By the end of the workshop, you'll have a big bunch of new poems and, through the poets we're exploring, lots of inspiring poet-companions you're now familiar with and can visit regularly in libraries and bookstores.

    Week by Week

    Week One: Ordinary Magic – Tess Gallagher and Seamus Heaney: Looking at the poetry of people who show us the extraordinary in the ordinary – in the U.S. and in Ireland -- we'll open up our eyes to see writing prompts and potential in what's around us wherever we are.

    Week Two: Wild at Heart – Pattiann Rogers and Tomas Transtromer: Poets who write deeply about the earth and sky can show us new ways to see what's in and beyond our own backyards. This week's poets, from Sweden and the U.S., open windows into the natural sciences and the mysterious living earth all around us, showing us new and ancient ways to write about what endures and what changes in the other-than-human world.

    Week Three: Liberation and Illumination – Andre Lorde, Adrienne Rich, and Simon Ortiz: Poets who write of transformation and freedom, including women and writers of color, illuminate what it is to break silences, speak of recovered or emerging traditions, and amplify the voices that show us more of who are as a people. Poets this week hail from the U.S., the Acoma Pueblo nation, and the Virgin Islands.

    Week Four: Wandering Mystics – Rumi, Mary Oliver, and Rainer-Maria Rilke: This week's poetry takes to the less-traveled path through exploring the spirit-journeying poems of writers from Germany, Persia/Afghanistan, and the U.S. We'll accompany these poets through mystical treks accompanied by angels (Rilke), the seen and unseen (Rumi), and dogs and other plants and animals (Mary Oliver) as we wander into our own new poetry.

    Week Five: Healing Fountains – Gregory Orr, Wislawa Szymborska, and Sharon Olds: Through exploring the poetry of personal and communal healing, we can find and write some of our own healing fountains, surfacing what's ripe for revising in our lives and life stories to craft more authentic and generous narratives to write and live. This week features poets from Poland and the U.S.

    Week Six: Maps to Where We Live – Jane Hirshfield and William Stafford: Poetry can also help us revision where and how we live, lighting from within the details and big picture views of our lives. By considering the work of these poets who write so vividly of the present, and what it means to land in the here and now of each moment, we can better embrace the patterns our lives and poetry give us.

    Who Should Take This Class

    This is a generative class for all people who drawn to poetry, whether you're just getting started or have a long-time practice. All the writing prompts and interactive activities are designed to meet you where you are and gather us into a vibrant poetry community for the duration of our time together.

    Format

    This is an online class, yet we strive to come together in council, reaching across the miles to hold one another's words and reflect deeply on what we discover individually and together. Each week includes ample writing prompts, a short essay on the poets we're visiting with this week, a discussion and examples of the craft of strong writing, and a short meditative piece (often a podcast) about this week's theme, including considerations for your own immersion into the writing life.

    Expect to spend a minimum of 2-5 hours per week on writing. Participants are also asked to respond to at least three other participants' work each week, deepening our dialogue altogether. Most of the exercises will give participants options to write in the genre of their choice.

    About the Teacher

    Caryn Mirriam-Goldberg, Ph.D., the 2009-13 Kansas Poet Laureate, is the author of two dozen books, and founder of Transformative Language Arts  at Goddard College where she teaches. Her books include Miriam's Well, a novel; Following the Curve, poetry; Everyday Magic: Fieldnotes on the Mundane and Miraculous; Needle in the Bone, a non-fiction book on the Holocaust; The Sky Begins At Your Feet, a bioregional memoir; and Chasing Weather, poetry with photography from Stephen Locke. A writing and right livelihood coach, working with people to bring what wants to be written and lived into being, Mirriam-Goldberg offers community writing workshops widely, and with Kelley Hunt, Brave Voice retreats. She also co-leads the Right Livelihood Professional Training with Laura Packer. For over three decades, Caryn has worked extensively with many arts and ecological/bioregional not-for-profit organizations as a grant-writer, fundraiser, staff or board member, and consultant on collaborative and community arts, group process, and better meetings. Born hard-wired to make something (in art, music, and especially writing), Caryn’s long-time callings include writing as a spiritual and ecological path, yoga, cultivating a loving marriage, family, and community, and helping herself and others make and take leaps into the miraculous work of their lives. www.CarynMirriamGoldberg.com

    • 23 Oct 2019
    • 03 Dec 2019
    • Online
    • 14
    Register

    Have you ever discovered that a detail you’d once magically, unwittingly predicted in a poem suddenly became true? In this generative workshop, we’ll strive to harness that same mystical energy to write our collective future into existence— through poetry. Inspiration will be mined from movement workers, social change influencers, the inherent genius of nature’s patterns, the starfish’s regenerative limb! We’ll cast hope into the universe through ritual, spellmaking, disruption, and interactive poem-experiments— guided by a motley crew of visionary writers and thinkers. Where we are used to lamenting and pushing against the conditions of what are, participants will be encouraged, when possible, to work from an emergent lens, feeling towards what could be instead.

    This course is designed for each student to connect to their own unique social justice intention. Given that the purpose of the workshop is to help participants expand awareness beyond ego-driven concerns, locate and amplify individual sources of creativity, and sense into futures of potential, the workshop offers no prescriptive answers or solutions. Instead, participants will be offered unusual writing exercises meant to coax forward new and unexpected ideas. A series of options will be presented for each individual to select from to ignite or catalyze their own creative responses.

    A sample poem that helps illustrate the kind of possibility we are after: Field Trip to the Museum of Human History by Franny Choi imagines a world where the brutality of American policing is an ancient system of the past.

    We’ll be inspired by readings from adrienne maree brown, CA Conrad, Aja Monet, Ada Limón, Joy Harjo, June Jordan, Margaret J. Wheatley, Layli Long Soldier, Kimiko Hahn, Harryette Mullen, Daniel Borzutsky, Natalie Diaz, Jaki Shelton Green, Etheridge Knight, Audre Lorde, Maggie Smith, Matthew Olzmann, Tracy K Smith, Joshua Jennifer Espinoza, José Olivarez, Otto Scharmer, Joshua Bennett, Tom Sleigh, Lucille Clifton, F.J. Bergmann, Martin Espada, Elizabeth Alexander, Ross Gay, Aracelis Girmay, Naomi Shihab Nye, Khadijah Queen, Vievee Francis, Matthew Mendoza, Mary Oliver, Nazim Hikmet, Big Energy Poets, dg nanouk okpik, Alberto Rios and many more!

    Week by Week

    Each week we’ll engage with a series of diverse readings and thinkers, as well as multiple poems, revolving around a central theme. In response, unexpected poem-generating experiments will be engaged, as well as short and long writing prompts will be offered in service of generating new work well beyond the course conclusion. Many different entry points and options will be laid out for the participant to choose from, encouraged to work intuitively in the direction of what calls their attention, and moves their spirit. Breaking from hierarchical models of top-down power, participants will be asked at times to co-create exercises and curate readings. We’ll share encouraging feedback throughout the process—staying away from deep critique, opting instead for questions, curiosities and other methods of pushing the imagination further.

    Week 1 — Clarifying: Setting intention. Welcoming. Naming what is: what are we trying to change? / return to? / conjure? / address? / confront? / move forward?

    Week 2 — Returning: What was? Looking back to honor what we’ve lost: what’s been destroyed, taken for granted, colonized. What we miss. Taking stock, then, revising history.

    Week 3 — Reimagining: What are we allowed to be? How can we reimagine accepted norms, values, institutions, structures and relationships?

    Week 4 — Conjuring: Stretching to make the “unreal” a reality by engaging magic, ritual and fantasy to conjure a new world into existence.

    Week 5 — Offering: Looking through the lens of gratitude. Examining the present. Locating, pinpointing and amplifying the good that already exists.

    Week 6 — Preparing: Creating maps towards change: manifestos, process notes, blueprints and instructions.

    Who Should Take This Class

    This generative workshop is for writers looking to confront our broken world with a sense of possibility, to combat writer’s block, begin a new collection, try something out of the ordinary and have some fun! Please note: this experience offers a great deal of choice, and invites the writer to draw from their own interests and internal dialogues. It is not a class that can, or will, dictate how to address our world through a lens of justice, but rather asks the writer to shake open possibilities for emergent futures that can’t yet be seen. If nontraditional learning spaces are not your cup of tea, this class may not resonate. If you are easily overwhelmed by choice and a variety of stimuli, this class may not be for you. If you are open to take a nonlinear journey that requires experimentation and a suspense of typical outcomes from poetry classes, then please join us. The hope is that each participant will leave with a packet of seeds for both their own portfolio, and, if we’re lucky, a glimmer of a better future we can cull forward.

    Class Format

    This is an online class. Students should expect to spend at least 3 hours per week engaging resources and readings, trying out writing/creation prompts, and briefly responding to peers’ work from a lens of “I notice, I wonder, I wish.” Our interactions will work towards sustains a welcoming and inspiring community together.

    About the Teacher

    Caits Meissner is a DIY-spirited, poly-creative writer, artist, and cultural worker. She is the author of the illustrated hybrid poetry book, Let it Die Hungry (The Operating System, 2016), and her poems, essays, and literary comix have been  published in The Guardian, The Literary Review, Narrative, Adroit, Drunken Boat, The Rumpus, VIDA Literary Review, The Feminist Wire, The Normal School, Poetry Magazine’s Harriet blog, and The Offing, among many others. In 2010, she released the wolf & me, an album that Okayplayer named "an impressive blend of poetry, singing and stellar production that takes on a variety of complexions." Erykah Badu called her blend of poetry and music, "Fresh, honest, and loving," with "a delicate heart like mine." With an extensive history in teaching and facilitating community arts programs, Caits currently serves as Director of the Prison & Justice Writing Program at PEN America.

Past Classes

24 Apr 2019 Changing the World with Words: TLA Foundations // with Joanna Tebbs-Young
06 Mar 2019 Fantastic Folktales & Visionary Angles to Transform Our Stories // with Lyn Ford
16 Jan 2019 How Pictures Heal: Honoring Memory & Loss through Expressive Writing from Personal Photos // with Kelly DuMar
24 Oct 2018 Coming Home to Body, Earth, and Time: Writing From Where We Live // with Caryn Mirriam-Goldberg
24 Oct 2018 Leverage Your TLA Expertise for Publication, Community, Business, and Livelihood // with Yvette Hyater-Adams
05 Sep 2018 Cultivating Our Voices: Writing Life Stories for Change // with Dr. Liz Burke-Cravens
27 Jun 2018 & They Call Us Crazy: Outsider Writing to Cross the Borders of Human Imagination // with Caits Meissner
27 Jun 2018 Wound Dwelling: Writing the Survivor Body(ies) // with Jennye Patterson
27 Jun 2018 Changing the World with Words: TLA Foundations // with Joanna Tebbs-Young
16 May 2018 Values of the Future Through Transformative Language Arts // with Doug Lipman
04 Apr 2018 Stories with Spirit: Creativity as a Spiritual Practice // with Regi Carpenter
14 Mar 2018 Writing for Social Change: Redream a Just World // with Anya Achtenberg
21 Feb 2018 Funding Transformation: Grant Writing for Storytellers, Writers, Artists, Educators, & Activists // with Diane Silver
10 Jan 2018 Fantastic Folktales & Visionary Angles to Transform Our Stories // with Lyn Ford
18 Oct 2017 Writing Our Lives: The Poetic Self & Transformation // with Dr. Liz Burke-Cravens
18 Oct 2017 Changing the World with Words: TLA Foundations // with Joanna Tebbs-Young
06 Sep 2017 Your Memoir as Monologue: How to Create Dynamic Dramatic Monologues About Healing and Transformation for Performance // with Kelly DuMar
06 Sep 2017 Wound Dwelling: Writing the Survivor Body(ies) // with Jennifer Patterson
14 Jun 2017 The Five Senses and Four Elements: Connecting with the Body and Nature Through Poetry // with Angie River
14 Jun 2017 The Poetics of Witness: Writing Beyond the Self // with Caits Meissner
19 Apr 2017 Diving and Emerging: Finding Your Voice and Identity in Personal Stories // with Regi Carpenter
01 Mar 2017 How Pictures Heal: Honoring Memory & Loss through Expressive Writing from Personal Photos // with Kelly DuMar
01 Mar 2017 Changing the World with Words: TLA Foundations // with Joanna Tebbs-Young
11 Jan 2017 Your Callings, Your Livelihood, Your Life // With Caryn Mirriam-Goldberg
11 Jan 2017 Values of the Future Through Transformative Language Arts // with Doug Lipman
26 Oct 2016 Leverage Your TLA Expertise for Publication, Community, Business, and Livelihood // with Yvette Angelique Hyater-Adams
26 Oct 2016 Not Enough Spoons: Writing About Disability & Chronic Illness // with Angie River
14 Sep 2016 Wound Dwelling: Writing the Survivor Body(ies) // with Jennifer Patterson
14 Sep 2016 Creating a Sustainable Story: Self-Care, Meaningful Work, and the Business of Creativity // with Laura Packer
29 Jun 2016 Coming Home to Body, Earth, and Time: Writing From Where We Live // with Caryn Mirriam-Goldberg
29 Jun 2016 Making the Leap into Work You Love // with Scott Youmans
18 May 2016 Changing the World with Words: TLA Foundations
18 May 2016 Saturated Selfies: Intentional and Intense Photography and Writing
28 Mar 2016 Gathering Courage: Still-Doing, Big Journaling, and Other (Not So Scary) Ways to Begin Accommodating the Soul
15 Feb 2016 Living Out Loud: Healing Through Storytelling and Writing
15 Feb 2016 Soulful Songwriting: How To Begin, Collaborate, And Finish Your Song
04 Jan 2016 Your Memoir as Monologue: How to Create Dynamic Dramatic Monologues About Healing and Transformation for Performance
04 Jan 2016 The Five Senses and the Four Elements: Connecting with the Body and Nature Through Poetry

"The Transformative Language Arts Network" is a 501(c)3 non-profit organization. Kansas, P.O. Box 442633, Lawrence, KS 66044

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